possm started reading Ihr Kampf by Robert Claus
Ihr Kampf by Robert Claus
Europas Neonaziszene trainiert für den Tag X, an dem den Ultrarechten der politische Umsturz gelingen soll. So beobachtet Autor Robert …
silly little guy he/it
My languages in order of proficiency: German French English Chinese. The reason I read so much in English is only because most pirated epubs are in English. I have no consistent grading system, the stars are based on vibes, don't read into it. I am not a critic; my "reviews" simply document what it was like for me to read the book in question.
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90% complete! possm has read 27 of 30 books.
Europas Neonaziszene trainiert für den Tag X, an dem den Ultrarechten der politische Umsturz gelingen soll. So beobachtet Autor Robert …
I started this book expecting a "serious" work of feminist theory. At some point I realized I had started on the wrong footing, so I reread it as a personal essay. That works way better. The book kiiinda presents itself as laying out a theory of gender (in short, the theory that everyone is female), but it doesn't really commit to that and the theory doesn't really work if you take it seriously - which I don't think the author wants us to. The book is actually an autobiographical reflection on the author's transition, told through her personal relation to Valerie Solanas' (tiny) body of work. I enjoyed it a lot!
This book is about female erasure in prehistory research, a very interesting topic. The author is a researcher in prehistory with a focus on women, so this is her wheelhouse. The part of the book that is actually about that I found very interesting and informative. However, that's only 80 pages out of 200! Allow me to explain. The book is in four parts. Part I is a short chapter on media depictions of prehistoric women and the question of primitive violence. Although these two topics are interesting, it's not clear what connects them. At this point the book already seems weirdly structured.
Part II is a long history of misogynistic sexism through the ages. This is just gender studies 101 with no connection to prehistory at all. It feels like the author is trying to up her page count by repeating a point that a hundred feminist books have …
This book is about female erasure in prehistory research, a very interesting topic. The author is a researcher in prehistory with a focus on women, so this is her wheelhouse. The part of the book that is actually about that I found very interesting and informative. However, that's only 80 pages out of 200! Allow me to explain. The book is in four parts. Part I is a short chapter on media depictions of prehistoric women and the question of primitive violence. Although these two topics are interesting, it's not clear what connects them. At this point the book already seems weirdly structured.
Part II is a long history of misogynistic sexism through the ages. This is just gender studies 101 with no connection to prehistory at all. It feels like the author is trying to up her page count by repeating a point that a hundred feminist books have already made since the 1950s.
Part III is the heart of the book: this is the part that's actually about the topic at hand. I don't know very much about early humans and learned a great deal in this chapter: not only about what we can know of early human gender relations, but also about the strange interpretations that male researchers have made of archaeological findings, interpretations that seem more like projections of their own sexism than actual science. I enjoyed this part a lot and will definitely revisit it for more in-depth understanding.
Part IV, I'm sorry to report, is filler rubbish again. This one is a long history of rebellious women from antiquity to modern feminism. Much like part II, you could get this in any "introduction to feminism" book. Worse even, by taking on a subject this broad, the author really displays her biases in full view: the biases of a bourgeois feminist who values the biographies of a few female aristocratic literati over the sociological perspective and actual political struggles.
Instead of the basic and overly broad feminist histories in parts II and IV, the author could have written about the history of prehistoric archaeology/ paleontology. This is a fairly young discipline that's only existed since the mid 19th century. I'm sure tracing the roots of female erasure and sexism in this branch of science from its beginnings until today would have been interesting. That is the book I wish we had gotten. Ironically, it's possible that an earlier draft was just like that: this is speculation on my part, but I noticed that part II (that is about the history of misogyny) is confusingly titled "The emergence of prehistory as academic discipline", which doesn't reflect its content at all. Maybe this strange title is the remnant of an earlier draft of the book, one that I would have probably liked better.
It feels unfair to focus so much of this review on the parts that are just filler, instead of the thing that the author is an actual expert in. But she did bring this upon herself by making the filler the majority of the book. I think part of the reason this book ended up as weirdly structured as it did, is the tendency of the market to favor "big ideas books" over more specific works. It's a shame because, at least in this case, it lessens the end product by a lot. It's so easy to see what a good book this could have been. You just need to read parts I and III, skip parts II and IV, and dream up the version of part II that its title hints at.
Wie Frauen die Geschichte prägten – und warum wir nichts davon wissen. Ein feministischer Blick auf die Urgeschichte
Über weite …
Wie Frauen die Geschichte prägten – und warum wir nichts davon wissen. Ein feministischer Blick auf die Urgeschichte
Über weite …
Priestland is a great storyteller. I learned a lot from this book. It's a history of communist movements and communist rule, not a history of communist ideas as I originally expected. Since the scope of the book is extremely broad, some things are simplified, which is fine. The basic idea is that Marxism has three facets: Romantic, Radical, and Modernist (synthesized from Fourier, Babœuf and Saint Simon respectively) and the history of communism is depicted as a dance between these three. This model works very well I think.
I was looking for a "history of communism" more as a history of ideas, tracing the evolution from Marx to Luxemburg to Adorno etc. This was not that at all, but I still loved it.
Content warning Tone of the ending mentioned
So I've had a review draft open for a week and I just deleted it by mistake and I can't remember all of my points so I'll make this short. I liked that it's a story with a trans protagonist that isn't a trans story. First I've had of those. Of course the author is trans so that tracks. I liked the framing device in theory (the main text is a primary source from the 18th century, the framing device are the annotations and footnotes by a modern scholar). In practice I found the scholar character annoying and felt like he didn't go anywhere, also the suspension of disbelief required to buy that this guy uses annotations as his diary was too much. I liked the 18th century language, the heavy use of London slang with the footnotes to understand it, the capitalization of nouns. The world of the novel is really dark and ugly, so I liked that the ending was hopeful and beautiful. I liked the politics in the book, even though it felt heavy-handed at times. The author Jordy Rosenberg is very visible through his writing, he's an academic and you can tell. This guy oozes postcolonial theory, queer theory and marxist dialectics out of every pore and to me personally that's cool but it's probably not for everyone. He also really wears his mommy issues on his sleeve.
Set in the eighteenth century London underworld, this bawdy, genre-bending novel reimagines the life of thief and jailbreaker Jack Sheppard …
I read this novel mostly to improve my Chinese proficiency. It was great for this purpose. The target audience is tweens I think. Children aged about 9-13. So the language is simple, the narration has a good flow, it's all quite easy to follow. Occasionally I didn't understand a detail or two, but that's fine. The book (first of a series) is set in a harry potter-like setting where the normal, human world is secretly inhabited by supernatural creatures that also have their own spaces and realms. The supernatural elements are all borrowed from Chinese literary tradition, especially the Shan Hai Jing. The book really invites the Harry Potter comparison, the little boy protagonist's female friend even has Hermione's exact personality. I did wonder about one thing: the protagonist, Zhixiao, inherits the "monster inn" from his father who died, that's what sets the plot in motion. But there is no …
I read this novel mostly to improve my Chinese proficiency. It was great for this purpose. The target audience is tweens I think. Children aged about 9-13. So the language is simple, the narration has a good flow, it's all quite easy to follow. Occasionally I didn't understand a detail or two, but that's fine. The book (first of a series) is set in a harry potter-like setting where the normal, human world is secretly inhabited by supernatural creatures that also have their own spaces and realms. The supernatural elements are all borrowed from Chinese literary tradition, especially the Shan Hai Jing. The book really invites the Harry Potter comparison, the little boy protagonist's female friend even has Hermione's exact personality. I did wonder about one thing: the protagonist, Zhixiao, inherits the "monster inn" from his father who died, that's what sets the plot in motion. But there is no mention of grief or loss. Zhixiao's emotional arc is about gaining confidence, getting respected, finding his strength. His relationship with his mum is an important conflict point, can he spend enough time with her while also being active in the spirit world? Will she accept his new role or try to keep him at home? But missing their dead dad/husband doesn't seem to be a factor in their conflict. I don't know, it's a bit strange. Maybe I missed something though, due to the language barrier.
All in all this is a great read for advanced Chinese learners, and probably also for tweens if they are native speakers. Looking forward to part 2.