Won the 2020 Hugo for Best Novel.
Ambassador Mahit Dzmare is posted far from her mining station home, to the Empire's glorious capital. Yet when she arrives, she discovers her predecessor was murdered. But no-one will admit his death wasn't accidental - and she might be next.
Mahit must navigate the capital's deadly halls of power, while hunting the killer. She must also somehow stop the Empire from annexing her fiercely independent colony. As she sinks deeper into this seductive yet unfamiliar culture, Mahit engages in intrigues of her own. For she's hiding an extraordinary technological secret, one which might destroy her station and its way of life.Or it might save them all from annihilation.
On of the best sci-fi novels I've read in some time. Accomplishes the stellar feat of making a story which takes part almost entirely within a single city feel like it has galaxy spanning consequences. Reads as much like medieval court intrigue as it does full on space opera, and is all the better for it.
The last big space opera I read was Saga of the Seven Suns, and while that is a huge story full of fantastic imagination, I enjoyed the writing style of this novel so much more.
Can't wait to read the followup, and hopefully many more to come. Bravo.
The slow-burning love-child of House of Cards and The Expanse
4 stars
If I'm honest I first picked up this book because of the image on the cover but once I picked up the book I remained interested and the aesthetic remained pretty cool throughout and gave me vibes from the "Coup" and "The Resistance" board games.
The book really focuses in a lot on the political manoeuvrers of the central character Mahit and her allies (and enemies). There's a fair amount of political theatre and description of Mahit's internal monologue which reminded me of House of Cards. The world building meant that the plot does take a little while to really get going but once it does get going, there's a fair amount to be excited about. The last few chapters were pretty gripping and more reminiscent of something like The Expanse.
There is a lot of description of the culture and language used in the Teixcalaanli Empire which for me, …
If I'm honest I first picked up this book because of the image on the cover but once I picked up the book I remained interested and the aesthetic remained pretty cool throughout and gave me vibes from the "Coup" and "The Resistance" board games.
The book really focuses in a lot on the political manoeuvrers of the central character Mahit and her allies (and enemies). There's a fair amount of political theatre and description of Mahit's internal monologue which reminded me of House of Cards. The world building meant that the plot does take a little while to really get going but once it does get going, there's a fair amount to be excited about. The last few chapters were pretty gripping and more reminiscent of something like The Expanse.
There is a lot of description of the culture and language used in the Teixcalaanli Empire which for me, really teetered on the precipice between detailed world-building and self-absorbed. I'm not really in to poetry - which is a huge part of Teixcalaanli culture so maybe that explains why I didn't really get on board with certain aspects of the world building but the descriptions of the technology, city, space vessels etc were well done.
Overall a solid, captivating sci-fi read if you can get on board with some of the slower descriptive parts of the book.
Boring as sin. The reader of the audiobook did it no justice. (Note: the reader did a wonderful job in Forging Hephaestus and its sequel, just not in this outting.)
It starts strong enough with a lot of world-building and some interesting tech that facilitates deep internal conversations. But then it gets bogged down in dialogue and exposition, drags onwards for hundreds of pages, and ultimately there's no payoff for your efforts. It has lots of potential and maybe future books will be better in the series that it sets up, but I won't be reading them.
I experienced this as an enjoyable palace intrigue like some other reviewers, but I didn't really find it particularly insightful on "assimilation and language and the seduction and horror of empire" (quote taken from the author's acknowledgments section). It's an interesting world and I'm looking forward to reading the sequel, but I can't say my mind was blown.
